1 Research Methodology
2 Research Objectives
3 Research Process
4 Scope & Coverage
4.1 Market Definition
4.1.1 Inclusions
4.1.2 Exclusions
4.2 Base Year
4.3 Scope of the study
4.4 Market Segments
4.4.1 Market Segmentation by Product Type
4.4.2 Market Segmentation by Connectivity Type
4.4.3 Market Segmentation by Operating Principle
4.4.4 Market Segmentation by End-user
4.4.5 Market Segmentation by Distribution
4.4.6 Market Segmentation by Geography
5 Report Assumptions & Caveats
5.1 Key Caveats
5.2 Currency Conversion
5.3 Market Derivation
6 Market at a Glance
7 Introduction
7.1 Overview
8 Market Dynamics
8.1 Market Growth Enablers
8.1.1 Global Music Industry Driving Adoption
8.1.2 Growing Adoption of Monitoring Systems
8.1.3 Growth in Live Music Events Driving IEMs
8.2 Market Growth Restraints
8.2.1 Ailments Linked to Prolonged Use of Headphones
8.2.2 High Costs Deterring Market Growth
8.3 Market Opportunities & Trends
8.3.1 Collaborating with Musicians & Sound Engineers
8.3.2 Showcasing Products at Industry Events
8.3.3 Transition of Headphones from Isolation to Protection
9 Global Market Landscape
9.1 Market Size & Forecast
9.2 Five Forces Analysis
9.2.1 Threat of New Entrants
9.2.2 Bargaining Power of Suppliers
9.2.3 Bargaining Power of Buyers
9.2.4 Threat of Substitutes
9.2.5 Competitive Rivalry
10 Pro Headphones Market by Type
10.1 Market Snapshot& Growth Engine
10.2 Market Overview
10.2.1 Key Points
10.2.2 Market by Type (Revenue)
10.3 Over-ear Professional Headphones
10.3.1 Market Size & Forecast (Revenue & Units)
10.3.2 Market by Geography
10.4 In-ear Professional Headphones
10.4.1 Market Size & Forecast (Revenue & Units)
10.4.2 Market by Geography
10.5 On-ear Professional Headphones
10.5.1 Market Size & Forecast (Revenue & Units)
10.5.2 Market by Geography
11 Pro Headphones Market by Connectivity
11.1 Market Snapshot& Growth Engine
11.2 Market Overview
11.2.1 Key Highlights
11.2.2 Market by Connectivity (Revenue)
11.3 Wired Professional Headphones
11.3.1 Market Size & Forecast (Revenue)
11.3.2 Market by Geography
11.4 Wireless Professional Headphones
11.4.1 Market Size & Forecast (Revenue)
11.4.2 Market by Geography
12 Pro Headphones Market by Operating Principle
12.1 Market Snapshot& Growth Engine
12.2 Market Overview
12.2.1 Market by Operating Principle (Revenue)
12.3 Closed Back Professional Headphones
12.3.1 Market Size & Forecast
12.3.2 Market by Geography
12.4 Open Back Professional Headphones
12.4.1 Market Size & Forecast
12.4.2 Market by Geography
13 Pro Headphones Market by End‒Use
13.1 Market Snapshot& Growth Engine
13.2 Market Overview
13.2.1 Market by End-use (Revenue)
13.3 Studio & Recording
13.3.1 Market Size & Forecast
13.3.2 Market by Geography
13.4 Live Events & Performances
13.4.1 Market Size & Forecast
13.4.2 Market by Geography
13.5 Others
13.5.1 Market Size & Forecast
13.5.2 Market by Geography
14 Pro Headphones Market by Distribution Channel
14.1 Manufacturing, Production, & Distribution
14.2 Distribution Via Retail Stores
14.3 Distribution Via Online Websites
15 Pro Headphones Market by Geography
15.1 Market Snapshot& Growth Engine
15.2 Overview
16 North America
16.1 Market Size & Forecast
16.2 Market Segmentation
16.2.1 Market by Product Type (Revenue)
16.2.2 Market by Connectivity Type (Revenue)
16.2.3 Market by Operating Principle (Revenue)
16.2.4 Market by End-use (Revenue)
16.3 Key Countries
16.3.1 US: Pro Headphones Market Size & Forecast
16.3.2 Canada: Market Size & Forecast
17 APAC
17.1 Market Size & Forecast
17.2 Market Segmentation
17.2.1 Market by Product Type (Revenue)
17.2.2 Market by Connectivity Type (Revenue)
17.2.3 Market by Operating Principle (Revenue)
17.2.4 Market by End-use (Revenue)
17.3 Key Countries
17.3.1 Japan:Pro Headphones Market Size & Forecast
17.3.2 China: Pro Headphones Market Size & Forecast
17.3.3 South Korea: Market Size & Forecast
17.3.4 India:Pro Headphones Market Size & Forecast
17.3.5 Australia: Market Size & Forecast
18 Europe
18.1 Market Size & Forecast
18.2 Market Segmentation
18.2.1 Market by Product Type (Revenue)
18.2.2 Market by Connectivity Type (Revenue)
18.2.3 Market by Operating Principle (Revenue)
18.2.4 Market by End-use (Revenue)
18.3 Key Countries
18.3.1 UK: Pro Headphones Market Size & Forecast
18.3.2 Germany: Market Size & Forecast
18.3.3 France:Pro Headphones Market Size & Forecast
18.3.4 Italy: Market Size & Forecast
18.3.5 Benelux: Pro Headphones Market Size & Forecast
18.3.6 Scandinavia: Market Size & Forecast
19 Latin America
19.1 Market Size & Forecast
19.2 Market Segmentation
19.2.1 Market by Product Type (Revenue)
19.2.2 Market by Connectivity Type (Revenue)
19.2.3 Market by Operating Principle (Revenue)
19.2.4 Market by End-use (Revenue)
19.3 Key Countries
19.3.1 Brazil: Market Size & Forecast
19.3.2 Mexico:Pro Headphones Market Size & Forecast
19.3.3 Argentina: Market Size & Forecast
20 Middle-East & Africa
20.1 Market Size & Forecast
20.2 Market Segmentation
20.2.1 Market by Product Type (Revenue)
20.2.2 Market by Connectivity Type (Revenue)
20.2.3 Market by Operating Principle (Revenue)
20.2.4 Market by End-use (Revenue)
20.3 Key Countries
20.3.1 UAE: Pro Headphones Market Size & Forecast
20.3.2 South Africa: Market Size & Forecast
21 Competitive Landscape
21.1 Competition Overview
22 Key Company Profiles
22.1 Audio-Technica
22.1.1 Business Overview
22.1.2 Major Product Offerings
22.1.3 Key Strengths
22.1.4 Key Strategies
22.1.5 Key Opportunities
22.2 Sennheiser
22.2.1 Business Overview
22.2.2 Major Product Offerings
22.2.3 Key Strengths
22.2.4 Key Strategies
22.2.5 Key Opportunities
22.3 Shure
22.3.1 Business Overview
22.3.2 Major Product Offerings
22.3.3 Key Strengths
22.3.4 Key Strategies
22.3.5 Key Opportunities
23 Other Prominent Vendors
23.1 Beyerdynamic
23.1.1 Business Overview
23.1.2 Product Offerings
23.2 AKG (Samsung)
23.2.1 Business Overview
23.2.2 Product Offerings
23.3 Grado
23.3.1 Business Overview
23.3.2 Product Offerings
23.4 Sony
23.4.1 Business Overview
23.4.2 Product Offerings
23.5 Audeze
23.5.1 Business Overview
23.5.2 Product Offerings
23.6 Pioneer
23.6.1 Business Overview
23.6.2 Product Offerings
23.7 JH Audio
23.7.1 Business Overview
23.7.2 Product Offerings
23.8 Westone Laboratories
23.8.1 Business Overview
23.8.2 Product Offerings
23.9 RHA
23.9.1 Business Overview
23.9.2 Product Offerings
23.10 Zound Industries (Marshall)
23.10.1 Business Overview
23.10.2 Product Offerings
23.11 Ultrasone
23.11.1 Business Overview
23.11.2 Product Offerings
23.12 HiFiMan
23.12.1 Business Overview
23.12.2 Product Offerings
23.13 Koss
23.13.1 Business Overview
23.13.2 Product Offerings
23.14 Astell&Kern
23.14.1 Business Overview
23.14.2 Product Offerings
23.15 Focal Spirit Professional
23.15.1 Business Overview
23.15.2 Product Offerings
23.16 Samson Technologies
23.16.1 Business Overview
23.16.2 Product Offerings
23.17 Meze Audio
23.17.1 Business Overview
23.17.2 Product Offerings
23.18 CharterOak Acoustic Devices
23.18.1 Business Overview
23.18.2 Product Offerings
23.19 TIN HiFi
23.19.1 Business Overview
23.19.2 Product Offerings
23.20 BGVP
23.20.1 Business Overview
23.20.2 Product Offerings
23.21 Fearless Audio
23.21.1 Business Overview
23.21.2 Product Offerings
23.22 Sensaphonics
23.22.1 Business Overview
23.22.2 Product Offerings
23.23 TEAC Corporation (Tascam)
23.23.1 Business Overview
23.23.2 Product Offerings
23.24 inMusic Brands
23.24.1 Business Overview
23.24.2 Product Offerings
23.25 Direct Sound
23.25.1 Business Overview
23.25.2 Product Offerings
23.26 ADAM Audio
23.26.1 Business Overview
23.26.2 Product Offerings
23.27 Flare Audio
23.27.1 Business Overview
23.27.2 Product Offerings
23.28 LOUD Audio
23.28.1 Business Overview
23.28.2 Product Offerings
23.29 Nady Systems
23.29.1 Business Overview
23.29.2 Product Offerings
23.30 Hear Technologies
23.30.1 Business Overview
23.30.2 Product Offerings
23.31 Prodipe
23.31.1 Business Overview
23.31.2 Product Offerings
23.32 JTS Professional
23.32.1 Business Overview
23.32.2 Product Offerings
23.33 Audio2000’s
23.33.1 Business Overview
23.33.2 Product Offerings
23.34 Takstar
23.34.1 Business Overview
23.34.2 Product Offerings
23.35 CAD Audio
23.35.1 Business Overview
23.35.2 Product Offerings
23.36 LD Systems (ADAM Hall Group)
23.36.1 Business Overview
23.36.2 Product Offerings
23.37 Behringer
23.37.1 Business Overview
23.37.2 Product Offerings
23.38 Roland
23.38.1 Business Overview
23.38.2 Product Offerings
23.39 Yamaha
23.39.1 Business Overview
23.39.2 Product Offerings
24 Report Summary
24.1 Key Takeaways
24.2 Strategic Recommendations
25 Quantitative Summary
25.1.1 Global Market Size by Geographies
25.2 North America Market (Revenue)
25.2.1 Market by Product Type (Revenue)
25.2.2 Market by Connectivity Type (Revenue)
25.2.3 Market by Operating Principle (Revenue)
25.2.4 Market by End-use (Revenue)
25.3 APAC Market (Revenue)
25.3.1 Market by Product Type (Revenue)
25.3.2 Market by Connectivity Type (Revenue)
25.3.3 Market by Operating Principle (Revenue)
25.3.4 Market by End-use (Revenue)
25.4 Europe Market (Revenue)
25.4.1 Market by Product Type (Revenue)
25.4.2 Market by Connectivity Type (Revenue)
25.4.3 Market by Operating Principle (Revenue)
25.4.4 Market by End-use (Revenue)
25.5 Latin America Market (Revenue)
25.5.1 Market by Product Type (Revenue)
25.5.2 Market by Connectivity Type (Revenue)
25.5.3 Market by Operating Principle (Revenue)
25.5.4 Market by End-use (Revenue)
25.6 MEA Market (Revenue)
25.6.1 Market by Product Type (Revenue)
25.6.2 Market by Connectivity Type (Revenue)
25.6.3 Market by Operating Principle (Revenue)
25.6.4 Market by End-use (Revenue)
25.7 Market by Product Type
25.7.1 Market by Product Type (Revenue)
25.7.2 Over-ear Pro Headphones Market by Geography
25.7.3 In-ear Pro Headphones Market by Geography
25.7.4 On-earPro Headphones Market by Geography
25.8 Market by Connectivity Type
25.8.1 Market by Connectivity Type (Revenue)
25.8.2 Wired Pro Headphones Market by Geography
25.8.3 Wireless Pro Headphones Market by Geography
25.9 Market by Operating Principle
25.9.1 Market by Operating Principle
25.9.2 Closed Back Pro Headphones Market by Geography
25.9.3 Open Back Pro Headphones Market by Geography
25.10 Market by End-use
25.10.1 Market by End‒use (Revenue)
25.10.2 Studio & Recording Market by Geography
25.10.3 Live Events & Performances Market by Geography
25.10.4 Other End-use Market by Geography
26 Appendix
26.1 Abbreviations