PUBLISHED DATE : Oct 2019 | Pages : 256
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Pro Headphones Market Size, Share, Trends, Analysis Report By Product Type (Over-Ear, In-Ear, and On-Ear), Connectivity Types (Wired and Wireless), Operating Principle (Close Back and Open Back), End-Use (Studio & Recording, Live Events and Performances, and Others), Distribution Channels (Retail Stores and Online Store), and Geography (APAC, Europe, Latin America, Middle East & Africa, and North America), Industry Analysis, Growth Potential, Price Trends, Competitive Landscape & Forecast 2019-2024
256 Pages
119 Tables
82 Charts
5 Regions
18 Countries
42 Companies
6 Market Segment
| Report Attribute | Details |
|---|---|
| Market Size (Revenue) | USD 1.7 Billion (2024) |
| CAGR | 5% (2019-2024) |
| Base Year | 2018 |
| Forecast Year | 2019-2024 |
| Market Segments | Product Type (Over-Ear, In-Ear, and On-Ear), Connectivity Types (Wired and Wireless), Operating Principle (Close Back and Open Back), End-Use (Studio & Recording, Live Events and Performances, and Others), Distribution Channels (Retail Stores and Online Store) |
| Geographic Analysis | APAC, Europe, Latin America, Middle East & Africa, And North America |
| Countries Covered | US, Canada, Argentina, Australia, Benelux, Brazil, China, France, Germany, India, Italy, Japan, Mexico, Scandinavia, South Africa, UAE, and UK |
The growth in musical concerts and events worldwide is expected to boost the market demand for professional headphones during the forecast period
The pro headphones market size to cross USD 1.7 billion by 2024, growing at a CAGR of over 5% during the forecast period. The growing transformation of earphones and headphones from sound isolators to protective hearing devices is one of the key factors aiding the pro headphones market. As per several studies, musicians are almost four times more prone to hearing loss (noise-induced hearing loss) than other professionals. Prolonged exposure to high noise levels can diminish the hearing capacity and can damage the fragile hair cells of the ears. Hence, vendors have an incredible opportunity to build and promote professional headphones as a combination of isolation and protection device rather than sound isolation headphones for musicians and artists.
The increasing strategic partnership between musicians and audiologists is another major area of opportunity for professional headphones vendors in the market. Musicians and audiologists play a vital role in the development of professional audio equipment market. The pro headphones market often requires the advice of audiologists for health and regulatory adherences. Therefore, the growing collaboration between these players is contributing to the growth of the pro headphones market.
The global live music industry is set to cross more than 25 billion by 2020. The growing synergy between brands and events management companies in the live concert industry will be efficiently capitalized by music festivals and concert organizers across the globe. Countries such as the US, the UK, Germany, and France are transforming into hubs for such events and concerts. The US alone has witnessed considerable growth in the live music industry and is set to continue in the coming years as well. Hence, the increase in musical events and concerts across the world is expected to boost the market demand for pro audio solutions, including professional headphones during the forecast period.
This research report includes detailed market segmentation by
With the launch of custom fit IEM, the revenue share of in-ear professional headphone has risen steeply
Advancements in audio technology along with capabilities to cancel unwanted noise, eliminate sound leakage, and control ambient sound have led to the development of over-ear models. The presence of features such as hi-fidelity sound and a high level of noise isolation is creating a buzz for professional headphones in the market. As over-ear professional devices have less impact on the eardrum due to the large cup size, they are considered safe. North America dominates the over-ear pro headphones market.
In-ear models are offering high portability in wearing and are compact and convenient to carry. With the launch of custom fit IEM, the revenue share of in-ear professional headphone has risen steeply as performing artists increasingly adopt them. The segment is expected to grow as this headphone can block the outside noise.
The on-ear headphone has witnessed an increase in demand recently due to technological advancements, which have improved their sound quality. The market has seen a surge in the number of vendors that have added new models of on-ear devices to their portfolio. On-ear models are finding an emerging consumer base among audiophiles.
The presence of several recording studios and the increasing number of live music concerts and events are contributing to the dominance of the North America pro headphones market
Wired professional headphones dominate the market as professional artists and technicians widely use them due to the high-quality audio transmission. Technological improvements in wired professional devices offer high-fidelity sound at relatively affordable prices. Some vendors have also included control buttons positioned at the upper end of the wire, which is targeted to increase the penetration in the individual consumer segment, including audiophiles. North America dominated the wired pro headphones market in 2018. The presence of a large number of recording studios and an increasing number of live events and concerts are the significant factors contributing to the dominance of North America.
Professional wireless headphones have faced low adoption from professionals for music composing settings. Also, the current scope for the wireless professional headphone is less due to the restrictions with wireless models of connecting with the music developing and mixing equipment. However, wireless professional headphones are finding applications among several end-users, including DJ, home studio, amateur singers, and beginner level of music mixing and mastering. The demand for the wireless professional headphone is expected to grow gradually with the APAC region.
Open back professional headphones are desirable as they offer accurate frequency balance during the critical listening process
In terms of designs, the professional headphones market is categorized into an open ear and closed ear models. The closed-back headphone is widely used by vocalists and instrument players while singing or playing over the backing track, and there is no scope for sound leakage or bleeding. The market share of closed headphone is growing as they offer the user maximum sound isolation, which increases their application in the process of recording tracks in studios, performing alongside other instruments in a studio setup, as well as monitoring reference music.
Open back professional headphone is more desirable as they offer accurate frequency balance during the critical listening process. They are suited for settings where the ambient noise is absent or negligible so that it is not passed through the open back and delivered to the user, mixed with the audio from the headphones themselves. The demand for the open back professional headphone is expected to increase along with the rising music composition and recording market worldwide.
The expansion of musical events and rock shows in international borders is improving the scope of professional headphones
The studio and recording segment constituted the largest of the share of the pro headphones market in 2018. Professional headphones remain crucial in studio and recording applications as they are used for mixing, mastering, referencing, monitoring, and producing music at an optimal sound level. The boom in the recorded music market is attributed to the growth in the investments on the vibrant artists across the globe. Streaming has remained one of the key growth drivers for the global recorded music industry. Further, the rise in the paid streaming-music services is another driver for the growth of the recorded music industry.
The increase in live events and performances plays a crucial role in the growth of the pro headphones market, especially in-ear professional headphones (IEM) as artists and band members widely use them during live shows. The growing charm of live performances has developed an expanding competitive group, which is pushing the demand for the pro headphones market. The expansion of musical events and rock shows in international borders is further improving the scope of professional headphones. Strategies partnerships with trending performers can pave a way for the growth of professional headphone manufacturers.
Professional headphones manufacturers are harnessing retail stores due to personalized customer services
Retail and online are two major distribution channels in the pro headphones market. A majority of the revenue comes from the retail distribution channel such as AV system integrators, pro-AV and electronics stores, and pro AV dealers and distributors. However, the availability of pro headphones through online OEMs’ e-commerce portals and online direct-to-consumer stores is growing.
The manufacturers harness retail stores due to personalized customer services. The staffs in these stores are educated about the usage of professional headphones. However, the growth in online sales is set to increase by over 10% YOY during the forecast period. The primary reason for this is online stores offer a variety of options to choose from than retail stores. Many consumers seek to purchase professional headphones via online stores because of the ease-of-accessibility and convenience afforded by such channels.
Western European economies are witnessing product saturation as there is low product differentiation in the market
In APAC, Japan and South Korea are the largest professional headphones markets. However, countries such as China and India are expected to drive market growth in the region. Europe accounted for 24.62% of market shares in terms of revenue in 2018. The demand for new professional headphones in the market is growing, while upgrades and replacements among individual consumers are also driving the market growth. Further, Western European economies are witnessing maturity and product saturation, as there is low product differentiation in the market.
The market growth in Latin America was fueled by the Summer Olympics 2016 and the carnivals in Brazil. The increasing popularity of Latin music in other parts of the world has also propelled the market growth of the music industry. However, political unrest in Venezuela, economic dwindling of Brazil’s economy, and natural disasters would affect the market growth in the live event and concerts segments in the region.
In MEA, the concept of concerts and live music has not gained popularity yet. Thus, the market demand and penetration are low in these regions. However, significant events such as the 2020 Dubai Expo in the UAE and the 2022 FIFA World Cup in Qatar are expected to propel the market growth during the forecast period. With many vendors expanding their operations in these countries for market share, the demand for professional headphones will grow during the forecast period. MEA is likely to account for 6.17% market shares in terms of revenue in 2024.
The global pro headphones market is highly competitive for vendors. The market remains mostly concentrated as the leading three key vendors constitute most revenue, with the growing influx of small and medium-sized vendors worldwide. Continuous variations in customer demands worldwide and a consistent need for technological enhancement in product offerings are driving vendors to refine and modify their unique value propositions. The growth of vendors in the market also depends on market conditions, technological innovations, and industry development. Therefore, vendors must expand their geographical presence while reviving domestic demand to achieve sustained growth. A majority of key leading vendors are focused on the European and North American markets. Thus, to capitalize on the increasing demand from the region such as APAC, Latin America, and MEA, these players are increasing geographical presence.
Market Segmentation by Product Type
By Connectivity
By Operating Principle
By End-use
By Distribution Channel
By Geography
Frequently Asked Questions
What is the pro headphones market size and growth rate during the forecast period?
Pro headphones market size to cross USD 1.7 billion, growing at a CAGR of over 5% during the forecast period
How is the growth of live music industry influencing the growth of pro headphones market?
The global live music industry is set to cross more than 25 billion by 2020. Hence, the increase in musical events and concerts across the world is expected to boost the market demand for pro audio solutions, including professional headphones during the forecast period.
Which segment is the largest revenue generating segment in the pro headphones market by end-use?
The studio and recording segment constituted the largest of the share of the pro headphones market in 2018. Professional headphones remain crucial in studio and recording applications as they are used for mixing, mastering, referencing, monitoring, and producing music at an optimal sound level.
What is growth rate of Europe pro headphones market, and what factors are influencing the growth?
Europe accounted for 24.62% of market shares in terms of revenue in 2018. The demand for new professional headphones in the market is growing, while upgrades and replacements among individual consumers are also driving the market growth.
Who are the major vendors in the market, and what are their market shares?
Audio-Technica, Sennheiser, and Shure are the major vendors in the market.
The following factors that are expected to contribute to the growth of the Pro headphones market during the forecast period:
Base Year: 2018
Forecast Year: 2019–2024
The study considers the present scenario of the market and its dynamics for the period 2018−2024. It covers a detailed overview of several market growth enablers, restraints, and trends. The report covers both the demand and supply sides of the market. It profiles and examines leading companies and other prominent companies operating in the pro headphones market.
Key Vendors
Other Prominent Market
Market Segmentation by Product Type
Market Segmentation by Connectivity
Market Segmentation by Operating Principle
Market Segmentation by End-use
Market Segmentation by Distribution Channel
Market Segmentation by Geography
1 Research Methodology
2 Research Objectives
3 Research Process
4 Scope & Coverage
4.1 Market Definition
4.1.1 Inclusions
4.1.2 Exclusions
4.2 Base Year
4.3 Scope of the study
4.4 Market Segments
4.4.1 Market Segmentation by Product Type
4.4.2 Market Segmentation by Connectivity Type
4.4.3 Market Segmentation by Operating Principle
4.4.4 Market Segmentation by End-user
4.4.5 Market Segmentation by Distribution
4.4.6 Market Segmentation by Geography
5 Report Assumptions & Caveats
5.1 Key Caveats
5.2 Currency Conversion
5.3 Market Derivation
6 Market at a Glance
7 Introduction
7.1 Overview
8 Market Dynamics
8.1 Market Growth Enablers
8.1.1 Global Music Industry Driving Adoption
8.1.2 Growing Adoption of Monitoring Systems
8.1.3 Growth in Live Music Events Driving IEMs
8.2 Market Growth Restraints
8.2.1 Ailments Linked to Prolonged Use of Headphones
8.2.2 High Costs Deterring Market Growth
8.3 Market Opportunities & Trends
8.3.1 Collaborating with Musicians & Sound Engineers
8.3.2 Showcasing Products at Industry Events
8.3.3 Transition of Headphones from Isolation to Protection
9 Global Market Landscape
9.1 Market Size & Forecast
9.2 Five Forces Analysis
9.2.1 Threat of New Entrants
9.2.2 Bargaining Power of Suppliers
9.2.3 Bargaining Power of Buyers
9.2.4 Threat of Substitutes
9.2.5 Competitive Rivalry
10 Pro Headphones Market by Type
10.1 Market Snapshot& Growth Engine
10.2 Market Overview
10.2.1 Key Points
10.2.2 Market by Type (Revenue)
10.3 Over-ear Professional Headphones
10.3.1 Market Size & Forecast (Revenue & Units)
10.3.2 Market by Geography
10.4 In-ear Professional Headphones
10.4.1 Market Size & Forecast (Revenue & Units)
10.4.2 Market by Geography
10.5 On-ear Professional Headphones
10.5.1 Market Size & Forecast (Revenue & Units)
10.5.2 Market by Geography
11 Pro Headphones Market by Connectivity
11.1 Market Snapshot& Growth Engine
11.2 Market Overview
11.2.1 Key Highlights
11.2.2 Market by Connectivity (Revenue)
11.3 Wired Professional Headphones
11.3.1 Market Size & Forecast (Revenue)
11.3.2 Market by Geography
11.4 Wireless Professional Headphones
11.4.1 Market Size & Forecast (Revenue)
11.4.2 Market by Geography
12 Pro Headphones Market by Operating Principle
12.1 Market Snapshot& Growth Engine
12.2 Market Overview
12.2.1 Market by Operating Principle (Revenue)
12.3 Closed Back Professional Headphones
12.3.1 Market Size & Forecast
12.3.2 Market by Geography
12.4 Open Back Professional Headphones
12.4.1 Market Size & Forecast
12.4.2 Market by Geography
13 Pro Headphones Market by End‒Use
13.1 Market Snapshot& Growth Engine
13.2 Market Overview
13.2.1 Market by End-use (Revenue)
13.3 Studio & Recording
13.3.1 Market Size & Forecast
13.3.2 Market by Geography
13.4 Live Events & Performances
13.4.1 Market Size & Forecast
13.4.2 Market by Geography
13.5 Others
13.5.1 Market Size & Forecast
13.5.2 Market by Geography
14 Pro Headphones Market by Distribution Channel
14.1 Manufacturing, Production, & Distribution
14.2 Distribution Via Retail Stores
14.3 Distribution Via Online Websites
15 Pro Headphones Market by Geography
15.1 Market Snapshot& Growth Engine
15.2 Overview
16 North America
16.1 Market Size & Forecast
16.2 Market Segmentation
16.2.1 Market by Product Type (Revenue)
16.2.2 Market by Connectivity Type (Revenue)
16.2.3 Market by Operating Principle (Revenue)
16.2.4 Market by End-use (Revenue)
16.3 Key Countries
16.3.1 US: Pro Headphones Market Size & Forecast
16.3.2 Canada: Market Size & Forecast
17 APAC
17.1 Market Size & Forecast
17.2 Market Segmentation
17.2.1 Market by Product Type (Revenue)
17.2.2 Market by Connectivity Type (Revenue)
17.2.3 Market by Operating Principle (Revenue)
17.2.4 Market by End-use (Revenue)
17.3 Key Countries
17.3.1 Japan:Pro Headphones Market Size & Forecast
17.3.2 China: Pro Headphones Market Size & Forecast
17.3.3 South Korea: Market Size & Forecast
17.3.4 India:Pro Headphones Market Size & Forecast
17.3.5 Australia: Market Size & Forecast
18 Europe
18.1 Market Size & Forecast
18.2 Market Segmentation
18.2.1 Market by Product Type (Revenue)
18.2.2 Market by Connectivity Type (Revenue)
18.2.3 Market by Operating Principle (Revenue)
18.2.4 Market by End-use (Revenue)
18.3 Key Countries
18.3.1 UK: Pro Headphones Market Size & Forecast
18.3.2 Germany: Market Size & Forecast
18.3.3 France:Pro Headphones Market Size & Forecast
18.3.4 Italy: Market Size & Forecast
18.3.5 Benelux: Pro Headphones Market Size & Forecast
18.3.6 Scandinavia: Market Size & Forecast
19 Latin America
19.1 Market Size & Forecast
19.2 Market Segmentation
19.2.1 Market by Product Type (Revenue)
19.2.2 Market by Connectivity Type (Revenue)
19.2.3 Market by Operating Principle (Revenue)
19.2.4 Market by End-use (Revenue)
19.3 Key Countries
19.3.1 Brazil: Market Size & Forecast
19.3.2 Mexico:Pro Headphones Market Size & Forecast
19.3.3 Argentina: Market Size & Forecast
20 Middle-East & Africa
20.1 Market Size & Forecast
20.2 Market Segmentation
20.2.1 Market by Product Type (Revenue)
20.2.2 Market by Connectivity Type (Revenue)
20.2.3 Market by Operating Principle (Revenue)
20.2.4 Market by End-use (Revenue)
20.3 Key Countries
20.3.1 UAE: Pro Headphones Market Size & Forecast
20.3.2 South Africa: Market Size & Forecast
21 Competitive Landscape
21.1 Competition Overview
22 Key Company Profiles
22.1 Audio-Technica
22.1.1 Business Overview
22.1.2 Major Product Offerings
22.1.3 Key Strengths
22.1.4 Key Strategies
22.1.5 Key Opportunities
22.2 Sennheiser
22.2.1 Business Overview
22.2.2 Major Product Offerings
22.2.3 Key Strengths
22.2.4 Key Strategies
22.2.5 Key Opportunities
22.3 Shure
22.3.1 Business Overview
22.3.2 Major Product Offerings
22.3.3 Key Strengths
22.3.4 Key Strategies
22.3.5 Key Opportunities
23 Other Prominent Vendors
23.1 Beyerdynamic
23.1.1 Business Overview
23.1.2 Product Offerings
23.2 AKG (Samsung)
23.2.1 Business Overview
23.2.2 Product Offerings
23.3 Grado
23.3.1 Business Overview
23.3.2 Product Offerings
23.4 Sony
23.4.1 Business Overview
23.4.2 Product Offerings
23.5 Audeze
23.5.1 Business Overview
23.5.2 Product Offerings
23.6 Pioneer
23.6.1 Business Overview
23.6.2 Product Offerings
23.7 JH Audio
23.7.1 Business Overview
23.7.2 Product Offerings
23.8 Westone Laboratories
23.8.1 Business Overview
23.8.2 Product Offerings
23.9 RHA
23.9.1 Business Overview
23.9.2 Product Offerings
23.10 Zound Industries (Marshall)
23.10.1 Business Overview
23.10.2 Product Offerings
23.11 Ultrasone
23.11.1 Business Overview
23.11.2 Product Offerings
23.12 HiFiMan
23.12.1 Business Overview
23.12.2 Product Offerings
23.13 Koss
23.13.1 Business Overview
23.13.2 Product Offerings
23.14 Astell&Kern
23.14.1 Business Overview
23.14.2 Product Offerings
23.15 Focal Spirit Professional
23.15.1 Business Overview
23.15.2 Product Offerings
23.16 Samson Technologies
23.16.1 Business Overview
23.16.2 Product Offerings
23.17 Meze Audio
23.17.1 Business Overview
23.17.2 Product Offerings
23.18 CharterOak Acoustic Devices
23.18.1 Business Overview
23.18.2 Product Offerings
23.19 TIN HiFi
23.19.1 Business Overview
23.19.2 Product Offerings
23.20 BGVP
23.20.1 Business Overview
23.20.2 Product Offerings
23.21 Fearless Audio
23.21.1 Business Overview
23.21.2 Product Offerings
23.22 Sensaphonics
23.22.1 Business Overview
23.22.2 Product Offerings
23.23 TEAC Corporation (Tascam)
23.23.1 Business Overview
23.23.2 Product Offerings
23.24 inMusic Brands
23.24.1 Business Overview
23.24.2 Product Offerings
23.25 Direct Sound
23.25.1 Business Overview
23.25.2 Product Offerings
23.26 ADAM Audio
23.26.1 Business Overview
23.26.2 Product Offerings
23.27 Flare Audio
23.27.1 Business Overview
23.27.2 Product Offerings
23.28 LOUD Audio
23.28.1 Business Overview
23.28.2 Product Offerings
23.29 Nady Systems
23.29.1 Business Overview
23.29.2 Product Offerings
23.30 Hear Technologies
23.30.1 Business Overview
23.30.2 Product Offerings
23.31 Prodipe
23.31.1 Business Overview
23.31.2 Product Offerings
23.32 JTS Professional
23.32.1 Business Overview
23.32.2 Product Offerings
23.33 Audio2000’s
23.33.1 Business Overview
23.33.2 Product Offerings
23.34 Takstar
23.34.1 Business Overview
23.34.2 Product Offerings
23.35 CAD Audio
23.35.1 Business Overview
23.35.2 Product Offerings
23.36 LD Systems (ADAM Hall Group)
23.36.1 Business Overview
23.36.2 Product Offerings
23.37 Behringer
23.37.1 Business Overview
23.37.2 Product Offerings
23.38 Roland
23.38.1 Business Overview
23.38.2 Product Offerings
23.39 Yamaha
23.39.1 Business Overview
23.39.2 Product Offerings
24 Report Summary
24.1 Key Takeaways
24.2 Strategic Recommendations
25 Quantitative Summary
25.1.1 Global Market Size by Geographies
25.2 North America Market (Revenue)
25.2.1 Market by Product Type (Revenue)
25.2.2 Market by Connectivity Type (Revenue)
25.2.3 Market by Operating Principle (Revenue)
25.2.4 Market by End-use (Revenue)
25.3 APAC Market (Revenue)
25.3.1 Market by Product Type (Revenue)
25.3.2 Market by Connectivity Type (Revenue)
25.3.3 Market by Operating Principle (Revenue)
25.3.4 Market by End-use (Revenue)
25.4 Europe Market (Revenue)
25.4.1 Market by Product Type (Revenue)
25.4.2 Market by Connectivity Type (Revenue)
25.4.3 Market by Operating Principle (Revenue)
25.4.4 Market by End-use (Revenue)
25.5 Latin America Market (Revenue)
25.5.1 Market by Product Type (Revenue)
25.5.2 Market by Connectivity Type (Revenue)
25.5.3 Market by Operating Principle (Revenue)
25.5.4 Market by End-use (Revenue)
25.6 MEA Market (Revenue)
25.6.1 Market by Product Type (Revenue)
25.6.2 Market by Connectivity Type (Revenue)
25.6.3 Market by Operating Principle (Revenue)
25.6.4 Market by End-use (Revenue)
25.7 Market by Product Type
25.7.1 Market by Product Type (Revenue)
25.7.2 Over-ear Pro Headphones Market by Geography
25.7.3 In-ear Pro Headphones Market by Geography
25.7.4 On-earPro Headphones Market by Geography
25.8 Market by Connectivity Type
25.8.1 Market by Connectivity Type (Revenue)
25.8.2 Wired Pro Headphones Market by Geography
25.8.3 Wireless Pro Headphones Market by Geography
25.9 Market by Operating Principle
25.9.1 Market by Operating Principle
25.9.2 Closed Back Pro Headphones Market by Geography
25.9.3 Open Back Pro Headphones Market by Geography
25.10 Market by End-use
25.10.1 Market by End‒use (Revenue)
25.10.2 Studio & Recording Market by Geography
25.10.3 Live Events & Performances Market by Geography
25.10.4 Other End-use Market by Geography
26 Appendix
26.1 Abbreviations
List of Exhibits
Exhibit 1 Segmentation of Global Pro Headphones Market
Exhibit 2 Market Size Calculation Approach 2018
Exhibit 3 Fitment of Professional Headphones in Music Creation
Exhibit 4 Key Buying Factors for Professional Headphones
Exhibit 5 Global Music Industry Driving Adoption
Exhibit 6 Growing Adoption of Monitoring Systems
Exhibit 7 Growth in Live Music Events Driving IEMs
Exhibit 8 Ailments Linked to Prolonged Use of Headphones
Exhibit 9 Issues Due to Hearing Ailments
Exhibit 10 High Costs Deterring Market Growth
Exhibit 11 Collaborating with Musicians & Sound Engineers
Exhibit 12 Showcasing Products at Industry Events
Exhibit 13 Transition of Headphones from Isolation to Protection
Exhibit 14 Music Celebrities with Some Degree of Hearing Loss
Exhibit 15 Global Pro Headphones Market 2018−2024 ($ billion)
Exhibit 16 Pro Headphones Market: Major Countries 2018
Exhibit 17 Incremental Growth by Geographies 2018 (Revenue)
Exhibit 18 Key End-use Applications of Professional Headphones 2018 - 2024
Exhibit 19 Five Forces Analysis 2018
Exhibit 20 Incremental Growth by Product Type 2018−2024
Exhibit 21 Overview of Global Pro Headphones Market by Product Type
Exhibit 22 Revenue Share of Professional Headphones by Type 2018 & 2024 (%)
Exhibit 23 Global Over-ear Pro Headphones Market 2018–2024 ($ million)
Exhibit 24 Global In-ear Pro Headphones Market 2018–2024 ($ million)
Exhibit 25 Global On-ear Pro Headphones Market 2018–2024 ($ million)
Exhibit 26 Incremental Growth by Connectivity 2018−2024
Exhibit 27 Overview of Pro Headphones Market by Connectivity Type
Exhibit 28 Revenue Share of Professional Headphones by Connectivity Type 2018 & 2024 (%)
Exhibit 29 Global Wired Pro Headphones Market 2018–2024 ($ million)
Exhibit 30 Global Wireless Pro Headphones Market 2018–2024 ($ million)
Exhibit 31 Incremental Growth by Operating Principle 2018−2024
Exhibit 32 Overview of Pro Headphones Market by Operating Principle
Exhibit 33 Revenue Share of Professional Headphones by Operating Principle 2018 & 2024 (%)
Exhibit 34 Global Closed Back Pro Headphones Market 2018–2024 ($ million)
Exhibit 35 Global Open Back Pro Headphones Market 2018–2024 ($ million)
Exhibit 36 Incremental Growth by End‒use 2018−2024
Exhibit 37 Overview of Global Pro Headphones Market by End‒use
Exhibit 38 Revenue Share of Professional Headphones by End‒use 2018 & 2024 (%)
Exhibit 39 Global Studio & Recording Professional Headphones Market 2018–2024 ($ million)
Exhibit 40 Global Live Events & Performances Pro Headphones Market 2018–2024 ($ million)
Exhibit 41 Global Professional Other Headphones Market 2018–2024 ($ million)
Exhibit 42 Distribution Channel Overview of Professional Headphones 2018 (Revenue)
Exhibit 43 Incremental Growth by Geography 2018−2024
Exhibit 44 Market by Geography 2018 (Revenue)
Exhibit 45 Market in North America 2018–2024 ($ million)
Exhibit 46 North America: Segmental Growth Overview 2018 (Revenue)
Exhibit 47 Market Share in North America 2018
Exhibit 48 Incremental Growth in North America 2018−2024
Exhibit 49 Market in US 2018–2024 ($ million)
Exhibit 50 Market in Canada 2018–2024 ($ million)
Exhibit 51 Market in APAC 2018–2024 ($ million)
Exhibit 52 Market Share in APAC 2018
Exhibit 53 APAC: Segmental Growth Overview 2018 (Revenue)
Exhibit 54 Incremental Growth in APAC 2018−2024
Exhibit 55 Market in Japan 2018–2024 ($ million)
Exhibit 56 Market in China 2018–2024 ($ million)
Exhibit 57 Market in South Korea 2018–2024 ($ million)
Exhibit 58 Market in India 2018–2024 ($ million)
Exhibit 59 Market in Australia 2018–2024 ($ million)
Exhibit 60 Market in Europe 2018–2024 ($ million)
Exhibit 61 Europe: Segmental Growth Overview 2018 (Revenue)
Exhibit 62 Market Share in Europe 2018
Exhibit 63 Incremental Growth in Europe 2018−2024
Exhibit 64 Market in UK 2018–2024 ($ million)
Exhibit 65 Market in Germany 2018–2024 ($ million)
Exhibit 66 Market in France 2018–2024 ($ million)
Exhibit 67 Market in Italy 2018–2024 ($ million)
Exhibit 68 Market in Benelux 2018–2024 ($ million)
Exhibit 69 Market in Scandinavia 2018–2024 ($ million)
Exhibit 70 Market in Latin America 2018–2024 ($ million)
Exhibit 71 Latin America: Segmental Growth Overview 2018 (Revenue)
Exhibit 72 Market Share in Latin America 2018
Exhibit 73 Incremental Growth in Latin America 2018−2024
Exhibit 74 Market in Brazil 2018–2024 ($ million)
Exhibit 75 Market in Mexico 2018–2024 ($ million)
Exhibit 76 Market in Argentina 2018–2024 ($ million)
Exhibit 77 Market in MEA 2018–2024 ($ million)
Exhibit 78 MEA: Segmental Growth Overview 2018 (Revenue)
Exhibit 79 Market Share in MEA 2018
Exhibit 80 Incremental Growth in MEA 2018−2024
Exhibit 81 Market in UAE 2018–2024 ($ million)
Exhibit 82 Market in South Africa 2018–2024 ($ million)
List of Tables
Table 1 Key Caveats
Table 2 Currency Conversion 2013−2018
Table 3 Select Professional Headphones and Their Frequency Response Range
Table 4 Worldwide Top 10 Music Markets 2018
Table 5 Sound Levels of Select Music Instruments
Table 6 Select Top Ranking Music Concerts and Artists in 2018
Table 7 Market by Type 2018−2024 ($ million)
Table 8 Global Over-ear Pro Headphones Market by Geography 2018–2024 ($ million)
Table 9 Global In-ear Pro Headphones Market by Geography 2018–2024 ($ million)
Table 10 Global On-earPro Headphones Market by Geography 2018–2024 ($ million)
Table 11 Market by Connectivity 2018−2024 ($ million)
Table 12 Global Wired Pro Headphones Market by Geography 2018–2024 ($ million)
Table 13 Global Wireless Pro Headphones Market by Geography 2018–2024 ($ million)
Table 14 Market by Operating Principle 2018−2024 ($ million)
Table 15 Global Closed Back Pro Headphones Market by Geography 2018–2024 ($ million)
Table 16 Global Open Back Pro Headphones Market by Geography 2018–2024 ($ million)
Table 17 Market by End-use 2018−2024 ($ million)
Table 18 Market by Studio & Recording by Geography 2018–2024 ($ million)
Table 19 Market by Live Events & Performances by Geography 2018–2024 ($ million)
Table 20 Market by Other End-use by Geography 2018–2024 ($ million)
Table 21 North America Market by Product Type 2018−2024 ($ million)
Table 22 North America Market by Connectivity Type 2018−2024 ($ million)
Table 23 North America Market by Operating Principle 2018−2024 ($ million)
Table 24 North America Market by End-use 2018−2024 ($ million)
Table 25 APAC Market by Product Type 2018−2024 ($ million)
Table 26 APAC Market by Connectivity Type 2018−2024 ($ million)
Table 27 APAC Market by Operating Principle 2018−2024 ($ million)
Table 28 APAC Market by End-use 2018−2024 ($ million)
Table 29 Select Live Events in Europe 2018–2019
Table 30 Europe Market by Product Type 2018−2024 ($ million)
Table 31 Europe Market by Connectivity Type 2018−2024 ($ million)
Table 32 Europe Market by Operating Principle 2018−2024 ($ million)
Table 33 Europe Market by End-use 2018−2024 ($ million)
Table 34 Music Festivals in Latin America 2018–2019
Table 35 Latin America Market by Product Type 2018−2024 ($ million)
Table 36 Latin America Market by Connectivity Type 2018−2024 ($ million)
Table 37 Latin America Market by Operating Principle 2018−2024 ($ million)
Table 38 Latin America Market by End-use 2018−2024 ($ million)
Table 39 MEA Market by Product Type 2018−2024 ($ million)
Table 40 MEA Market by Connectivity Type 2018−2024 ($ million)
Table 41 MEA Market by Operating Principle 2018−2024 ($ million)
Table 42 MEA Market by End-use 2018−2024 ($ million)
Table 43 Audio-Technica: Product Offerings
Table 44 Sennheiser: Product Offerings
Table 45 Shure: Product Offerings
Table 46 Beyerdynamic: Key Product Offerings
Table 47 AKG: Key Product Offerings
Table 48 Grado: Key Product Offerings
Table 49 Sony: Key Product Offerings
Table 50 Audeze: Key Product Offerings
Table 51 Pioneer: Key Product Offerings
Table 52 JH Audio: Key Product Offerings
Table 53 Westone: Key Product Offerings
Table 54 RHA: Key Product Offerings
Table 55 Marshall: Key Product Offerings
Table 56 Ultrasone: Key Product Offerings
Table 57 HiFiMan: Key Product Offerings
Table 58 Koss: Key Product Offerings
Table 59 Astell&Kern: Key Product Offerings
Table 60 Focal Spirit Professional: Key Product Offerings
Table 61 Samson Technologies: Key Product Offerings
Table 62 Meze Audio: Key Product Offerings
Table 63 Charter Oak: Key Product Offerings
Table 64 Tin HiFi: Key Product Offerings
Table 65 BGVP: Key Product Offerings
Table 66 Fearless Audio: Key Product Offerings
Table 67 Sensaphonics: Key Product Offerings
Table 68 TEAC: Key Product Offerings
Table 69 inMusic Brands: Key Product Offerings
Table 70 Direct Sound: Key Product Offerings
Table 71 ADAM Audio: Key Product Offerings
Table 72 Flare Audio: Key Product Offerings
Table 73 Loud: Key Product Offerings
Table 74 Nady Systems: Key Product Offerings
Table 75 Hear Technologies: Key Product Offerings
Table 76 Prodipe: Key Product Offerings
Table 77 JTS Professional: Key Product Offerings
Table 78 Audio 2000’S: Key Product Offerings
Table 79 Takstar: Key Product Offerings
Table 80 CAD Audio: Key Product Offerings
Table 81 LD Systems: Key Product Offerings
Table 82 Behringer: Key Product Offerings
Table 83 Roland: Key Product Offerings
Table 84 Yamaha: Key Product Offerings
Table 85 Market by Geographies ($ million)
Table 86 North America Market by Product Type 2018−2024 ($ million)
Table 87 North America Market by Connectivity Type 2018−2024 ($ million)
Table 88 North America Market by Operating Principle 2018−2024 ($ million)
Table 89 North America Market by End-use 2018−2024 ($ million)
Table 90 APAC Market by Product Type 2018−2024 ($ million)
Table 91 APAC Market by Connectivity Type 2018−2024 ($ million)
Table 92 APAC Market by Operating Principle 2018−2024 ($ million)
Table 93 APAC Market by End-use 2018−2024 ($ million)
Table 94 Europe Market by Product Type 2018−2024 ($ million)
Table 95 Europe Market by Connectivity Type 2018−2024 ($ million)
Table 96 Europe Market by Operating Principle 2018−2024 ($ million)
Table 97 Europe Market by End-use 2018−2024 ($ million)
Table 98 Latin America Market by Product Type 2018−2024 ($ million)
Table 99 Latin America Market by Connectivity Type 2018−2024 ($ million)
Table 100 Latin America Market by Operating Principle 2018−2024 ($ million)
Table 101 Latin America Market by End-use 2018−2024 ($ million)
Table 102 MEA Market by Product Type 2018−2024 ($ million)
Table 103 MEA Market by Connectivity Type 2018−2024 ($ million)
Table 104 MEA Market by Operating Principle 2018−2024 ($ million)
Table 105 MEA Market by End-use 2018−2024 ($ million)
Table 106 Market by Type 2018−2024 ($ million)
Table 107 Global Over-ear Pro Headphones Market by Geography 2018–2024 ($ million)
Table 108 Global In-ear Pro Headphones Market by Geography 2018–2024 ($ million)
Table 109 Global On-earPro Headphones Market by Geography 2018–2024 ($ million)
Table 110 Market by Connectivity Type 2018−2024 ($ million)
Table 111 Global Wired Pro Headphones Market by Geography 2018–2024 ($ million)
Table 112 Global Wireless Pro Headphones Market by Geography 2018–2024 ($ million)
Table 113 Market by Operating Principle 2018−2024 ($ million)
Table 114 Global Closed Back Pro Headphones Market by Geography 2018–2024 ($ million)
Table 115 Global Open Back Pro Headphones Market by Geography 2018–2024 ($ million)
Table 116 Market by End‒use 2018−2024 ($ million)
Table 117 Global Studio & Recording Market by Geography 2018–2024 ($ million)
Table 118 Global Live Events & Performances Market by Geography 2018–2024 ($ million)
Table 119 Global Other End-use Market by Geography 2018–2024 ($ million)
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"The report by Arizton was spot on. It not only gave us insight into the pro audio market, we used it to raise funds for our company. The data proved (to the VC we pitched to) that the market was large enough for our company to not only survive but also grow."
