PUBLISHED DATE : Mar 2023 | Pages : 263
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The Stock Music Market Size, Share, & Trends Analysis Report by
Industry Analysis Report, Regional Outlook, Growth Potential, Price Trends, Competitive Market Share & Forecast 2023–2028.
263 Pages
82 Tables
85 Charts
5 Regions
24 Countries
28 Companies
4 Market Segment
| Report Attribute | Details |
|---|---|
| Market Size (2028) | USD 2.03 Billion |
| Market Size (2022) | USD 1.23 Billion |
| CAGR (2022-2028) | 8.65% |
| Base Year | 2022 |
| Forecast Year | 2023-2028 |
| Market Segments | Product, End-User, License, and Geography |
| Geographic Analysis | North America, Europe, APAC, Latin America, and Middle East & Africa |
| KEY PLAYERS | Envato, Entertainment One, Getty Images, Musicbed, and Shutterstock |
The global stock music market was valued at USD 1.23 billion in 2022 and is expected to reach USD 2.03 billion by 2028, growing at a CAGR of 8.65%. Stock music witnessed considerable growth in user base over the last few years owing to the growing media and entertainment industry. Changing browsing behaviors reflect demand for video, positioned at the top of the list, followed by interactive tools and other forms of content. Most popular video content genres include entertainment that is information-based and funny. Marketers are investing in the video in a full gush, and content marketing has shifted to video streaming. Moreover, video expression is becoming accessible to the mass audience. Thereby, sound, as an inherent part of the video, is growing exponentially. Trend-wise, a lot is going on in terms of offerings and production. Looking at wider trends for customization, players are working out ways to allow an environment that has always been pretty rigid. Envato, for instance, introduced music kits that enable users to manipulate tracks and craft new jingles from existing ones without needing custom music production.
Rising Need for Authenticity
Stock music made in studios devoid of inclusivity, diversity, and authenticity was a norm across marketing material from key brand assets to advertisements. Most music did nothing to set one brand apart from another owing to its familiarity, thereby not always resonating with its audience. They could also not trust advertising, which became akin to white noise. Marketing is, thus, being revolutionized, one that has its roots in authenticity. With the media and marketing industry becoming increasingly subtle, end-users of stock music are looking at not being a sell-out. Consumers, specifically millennials with their penchant for technology and all things social, find genuineness appealing. This led marketers to ditch these giant sprawls of repeatedly used internet-famous audio content and embrace authenticity as core to audio marketing. Such factors are projected to propel the stock music market.
Rise of Independent Content Creators
A good count of creators is earning significant income from their channels, pages, and profiles, acting as influencers or content creators, all translating to high demand for paid stock music used largely as background music or with sound effects. Currently, demand is being spurred by royalty-free and licensed music owing to the growth in independent content creation. However, stock music market vendors have also responded and designed their products and services around the trend of independent content creation, further fuelling their uptake in the industry. For instance, AudioJungle introduced new licensing terms, away from the one-size-fits-all concept that allows audio files to be used in the different ways content creators would use them.
The Podcast Renaissance
Podcast demographics are exploding, and the young generations have embraced the medium, encouraging many of these audio products globally. Countries such as China, apart from the US, use the medium to dole out all kinds of content, giving rise to new business models. These factors mean that stock music has a significant opportunity, whether used in podcasts or by brands advertising or aurally sponsoring story-driven content. Most podcast creators depend on stock music for ease; as paid podcast subscriptions grow, so are the industry revenues, thereby boosting the stock music market. The diversity for the kind of stock music required is vast as consumers tune in for everything from stories to education, marketing, training, and more.
Increasing Interest in Custom Music
Brands with a global base are exploring strategies to localize their offerings to develop a close equation with discerning customers. Essentially, they commission custom music from cultural change agents, i.e., touring musicians who work with specific genres or local musicians who have managed to create a deep impact in their respective regions. Through careful selection, brands have been working on evolving their global presence. For instance, brands such as Budweiser and Coca-Cola have their branding strategies rooted in music. Music, therefore, becomes a point of passion for its consumers. In scenarios such as these, stock music does not make sense. Although certain stock music composers try to create localized tracks, these tracks are mostly way before time leading to disinterest. This requirement for localization has created a substantial gap in the stock music market and has driven down the demand for stock music to a certain extent.
INSIGHTS BY PRODUCT
The global stock music market by product segments into the track and sound effect. The track segment dominated the global industry and was valued at USD 957.87 million in 2022. The global stock music market by tracks is witnessing steady growth fueled by the age of personal creation. The industry is undergoing a paradigm shift. The low-quality stock music that dominated the industry not too long ago kept great musicians out of the game, keeping track quality low. However, as emerging business models harmonize the quality and the price, genuine composers are re-entering the field and raising the industry's standard, thereby driving the demand for stock tracks. The music track segment is highly diversified. From players dealing with brand-name artists, such as Ricall Express and Song Freedom, to offering tracks from virtually unknown artists for low-budget use, it covers the entire spectrum of demands.
INSIGHTS BY END-USER
The global stock music market for large businesses dominated with a 51.37% share in 2022. Audio or sonic branding, where brands create musical signatures, is witnessing growth as audio marketing comes to the forefront as part of innovative campaigns. The shift in consumption preferences of digital content from passive, video-based to audio-based content is underpinned by the understanding of the importance of marketing strategies that make it easy to consume content. This has caused the age of look and feels to be overridden by listen and feel, fostering the use of audio branding where consumers can easily identify with the brand. As a result, audio branding has come a long way since traditional iconic jingles, radio ads, and commercial ad music among large businesses.
INSIGHTS BY LICENSE
The license fee-based global stock music market accounted for 64.29% of the industry's revenue in 2022. Since content marketing has become integral, the strategy has been capitalized with bland and over-optimized content. However, quality is now beginning to trump quantity. Hence, marketers prefer low-volume, high-quality content instead of low-quality content. This is shifting focus from royalty-free to licensed music, given that the latter’s quality, appeal, feel, and authenticity is objectively better. Furthermore, there has been quite some progress and innovation in the music licensing segment.
North America dominates the global stock music market, accounting for an industry share of 50.86% in 2022. The region witnessed high growth for individual content creators in 2022, with rising attraction toward individual music production and content creation, which recorded revenue of USD 73.06 million. Moreover, the U.S. has one of the world's strongest, most influential, and most innovative music cultures, with audio naturally ingrained in the culture. It is the largest industry for radio globally, making up almost half the total radio revenues. While broadcast radio’s ad spending is dropping, it is still the biggest industry driving the growth of stock music volumes.
APAC is one of the most lucrative stock music markets, expected to reach USD 439.09 million by 2028. Driven by a highly active economy, APAC is characterized by strong advertising spending. A decade ago, the region occupied the top spot, winning many international advertising awards. The biggest ad agencies have found their way and settled in APAC for decades. Currently, the rapidly changing media landscape is fueling industry growth. Further, the European stock music market is driven by innovative market offerings. Europe was led by Uk, Germany, France, Italy, and Russia, where stock music is witnessing a surge in demand. Latin America was fueled by the growing number of local production and art films in the region that is witnessing international recognition, which likely will drive the small and medium business stock music market.
The global stock music market is moderately consolidated. The market has three types of agencies: single artists, community-based, and mass players. These agencies represent different types of products based on exclusivity. While players such as Getty Images and Shutterstock have imposed a consumer-facing business model (i.e., low price, high volume), the industry has come a long way. Several specialist agencies are catapulting the industry forward as they keep up with technology and demand developments. The five major vendors that dominate the stock music market are Audio Network, Getty Images, Shutterstock, Musicbed, and Pond5.
Many players, however, do not operate in a specific niche. In the future, growth in the stock music market can mostly come from specialization. Focussing on certain pockets of the industry, such as video game sound effects or curation of in-store stock music over and above, offering a huge database of music and sound effects can help brands acquire a unique position in the industry. Quite a few established stock music sources are popular with a specific end-user segment. For instance, SoundCloud is a hugely popular source for marketing videos. Moreover, small and large vendors are altering the stock music business with new approaches and models, such as subscription-only. These all-you-can-eat subscriptions are meant to drive volume and revenue growth. While some players offer only royalty-free stock music, others offer royalty-free music and custom services.
The global stock music market is provided for the forecast years 2023 to 2028 and a base year of 2022. The market is segmented by product, end-user, license, and geography for the years considered. The report provides a holistic approach to the global stock music market, enabling customers to analyze the industry thoroughly.
“For further information and clarifications on the market, analyst discussion can also be arranged at the feasibility of the client.”
Frequently Asked Questions
How big is the stock music market?
The global stock music market was valued at USD 1.23 billion in 2022 and is expected to reach USD 2.03 billion by 2028.
What is the growth rate of the global stock music market?
The global stock music market is expected to grow at a CAGR of 8.65% from 2022 to 2028.
Which region dominates the global stock music market share?
North America held the most substantial stock music market share and held a share of over 50.86% in 2022.
What are the significant trends in the stock music industry?
Simplifying licensing, increasing intuitiveness of filters, growth of platform integrations, rising need for authenticity, and immersive sound design gains ground are significant trends in the stock music industry.
Who are the key players in the global stock music market?
Envato, Entertainment One, Getty Images, Musicbed, and Shutterstock are the key players in the global stock music market.
The global stock music market is expected to grow at a CAGR of approximately 8.65% from 2022 to 2028.
The following factors are likely to contribute to the growth of the stock music market during the forecast period:
Base Year: 2022
Forecast Year: 2023-2028
The report considers the present scenario of the stock music market and its market dynamics for 2023−2028. It covers a detailed overview of several market growth enablers, restraints, and trends. The study covers both the demand and supply sides of the market. It also profiles and analyzes leading companies and several other prominent companies operating in the market.
Key Company Profiles
Other Prominent Vendors
Segmentation by Product
Segmentation by End-User
Segmentation by License
Segmentation by Geography
1 RESEARCH METHODOLOGY
2 RESEARCH OBJECTIVES
3 RESEARCH PROCESS
4 SCOPE & COVERAGE
4.1 MARKET DEFINITION
4.1.1 Inclusions
4.1.2 Exclusions
4.1.3 Market Estimation Caveats
4.2 BASE YEAR
4.3 SCOPE OF THE STUDY
4.3.1 Market Segmentation by Product
4.3.2 Market Segmentation by License
4.3.3 Market Segmentation by End-User
4.3.4 Market Segmentation by Geography
5 REPORT ASSUMPTIONS & CAVEATS
5.1 KEY CAVEATS
5.2 CURRENCY CONVERSION
5.3 MARKET DERIVATION
6 MARKET AT A GLANCE
7 PREMIUM INSIGHTS
7.1 MARKET OVERVIEW
7.2 MARKET DYNAMICS: KEY TRENDS, DRIVERS, AND RESTRAINTS
7.2.1 Market Trends
7.2.2 Market Drivers
7.2.3 Market Restraints
7.3 SEGMENT ANALYSIS
7.4 GEOGRAPHICAL ANALYSIS
7.5 COMPETITIVE LANDSCAPE
8 INTRODUCTION
8.1 OVERVIEW
8.1.1 Digital Globalization
8.1.2 Trends and Success Factors in the Stock Music Market
9 MARKET OPPORTUNITIES & TRENDS
9.1 SIMPLIFYING LICENSING
9.2 INCREASING INTUITIVENESS OF FILTERS
9.3 GROWTH OF PLATFORM INTEGRATIONS
9.4 RISING NEED FOR AUTHENTICITY
9.5 IMMERSIVE SOUND DESIGN GAINING GROUND
10 MARKET GROWTH ENABLERS
10.1 RISE OF INDEPENDENT CONTENT CREATORS
10.2 THE PODCAST RENAISSANCE
10.3 AUDIO-BASED USER EXPERIENCES GAINING TRACTION
10.4 GROWING POPULARITY OF A SOUND DESIGN-FIRST APPROACH
10.5 GROWTH OF TV-STYLE PROGRAMMING
11 MARKET RESTRAINTS
11.1 STORIES WITHOUT SOUND
11.2 MASSIVE PROFUSION OF CHOICE
11.3 GENERIC MUSIC SWEEPING THE MARKET
11.4 INCREASING INTEREST IN CUSTOM MUSIC
12 MARKET LANDSCAPE
12.1 MARKET OVERVIEW
12.2 MARKET SIZE & FORECAST
12.3 FIVE FORCES ANALYSIS
12.3.1 Threat of New Entrants
12.3.2 Bargaining Power of Suppliers
12.3.3 Bargaining Power of Buyers
12.3.4 Threat of Substitutes
12.3.5 Competitive Rivalry
13 PRODUCT
13.1 MARKET SNAPSHOT & GROWTH ENGINE
13.2 MARKET OVERVIEW
13.3 TRACK
13.3.1 Market Size & Forecast
13.3.2 Market by Geography
13.4 SOUND EFFECT
13.4.1 Market Size & Forecast
13.4.2 Market by Geography
14 END-USER
14.1 MARKET SNAPSHOT & GROWTH ENGINE
14.2 MARKET OVERVIEW
14.3 LARGE BUSINESSES
14.3.1 Market Size & Forecast
14.3.2 Market by Geography
14.4 SME
14.4.1 Market Size & Forecast
14.4.2 Market by Geography
14.5 INDIVIDUAL CONTENT CREATORS
14.5.1 Market Size & Forecast
14.5.2 Market by Geography
15 LICENSE
15.1 MARKET SNAPSHOT & GROWTH ENGINE
15.2 MARKET OVERVIEW
15.3 LICENSED MUSIC
15.3.1 Market Size & Forecast
15.3.2 Market by Geography
15.4 ROYALTY-FREE
15.4.1 Market Size & Forecast
15.4.2 Market by Geography
16 GEOGRAPHY
16.1 MARKET SNAPSHOT & GROWTH ENGINE
16.2 GEOGRAPHIC OVERVIEW
17 NORTH AMERICA
17.1 KEY HIGHLIGHTS
17.2 MARKET SIZE & FORECAST
17.3 PRODUCT
17.3.1 Market Size & Forecast
17.4 END-USER
17.4.1 Market Size & Forecast
17.5 LICENSE
17.5.1 Market Size & Forecast
17.6 KEY COUNTRIES
17.6.1 US: Market Size & Forecast
17.6.2 Canada: Market Size & Forecast
18 APAC
18.1 KEY HIGHLIGHTS
18.2 MARKET SIZE & FORECAST
18.3 PRODUCT
18.3.1 Market Size & Forecast
18.4 END-USER
18.4.1 Market Size & Forecast
18.5 LICENSE
18.5.1 Market Size & Forecast
18.6 KEY COUNTRIES
18.6.1 China: Market Size & Forecast
18.6.2 Japan: Market Size & Forecast
18.6.3 India: Market Size & Forecast
18.6.4 South Korea: Market Size & Forecast
18.6.5 Australia: Market Size & Forecast
18.6.6 Indonesia: Market Size & Forecast
18.6.7 Philippines: Market Size & Forecast
18.6.8 Taiwan: Market Size & Forecast
19 EUROPE
19.1 KEY HIGHLIGHTS
19.2 MARKET SIZE & FORECAST
19.3 PRODUCT
19.3.1 Market Size & Forecast
19.4 END-USER
19.4.1 Market Size & Forecast
19.5 LICENSE
19.5.1 Market Size & Forecast
19.6 KEY COUNTRIES
19.6.1 UK: Market Size & Forecast
19.6.2 Germany: Market Size & Forecast
19.6.3 France: Market Size & Forecast
19.6.4 Italy: Market Size & Forecast
19.6.5 Russia: Market Size & Forecast
19.6.6 Spain: Market Size & Forecast
19.6.7 Sweden: Market Size & Forecast
19.6.8 Switzerland: Market Size & Forecast
20 LATIN AMERICA
20.1 KEY HIGHLIGHTS
20.2 MARKET SIZE & FORECAST
20.3 PRODUCT
20.3.1 Market Size & Forecast
20.4 END-USER
20.4.1 Market Size & Forecast
20.5 LICENSE
20.5.1 Market Size & Forecast
20.6 KEY COUNTRIES
20.6.1 Brazil: Market Size & Forecast
20.6.2 Mexico: Market Size & Forecast
20.6.3 Argentina: Market Size & Forecast
21 MIDDLE EAST & AFRICA
21.1 KEY HIGHLIGHTS
21.2 MARKET SIZE & FORECAST
21.3 PRODUCT
21.3.1 Market Size & Forecast
21.4 END-USER
21.4.1 Market Size & Forecast
21.5 LICENSE
21.5.1 Market Size & Forecast
21.6 KEY COUNTRIES
21.6.1 UAE: Market Size & Forecast
21.6.2 South Africa: Market Size & Forecast
21.6.3 Saudi Arabia: Market Size & Forecast
22 COMPETITIVE LANDSCAPE
22.1 COMPETITION OVERVIEW
23 KEY COMPANY PROFILES
23.1 ENVATO
23.1.1 Business Overview
23.1.2 Product Offerings
23.1.3 Key Strategies
23.1.4 Key Strengths
23.1.5 Key Opportunities
23.2 ENTERTAINMENT ONE
23.2.1 Business Overview
23.2.2 Product Offerings
23.2.3 Key Strategies
23.2.4 Key Strengths
23.2.5 Key Opportunities
23.3 GETTY IMAGES
23.3.1 Business Overview
23.3.2 Product Offerings
23.3.3 Key Strategies
23.3.4 Key Strengths
23.3.5 Key Opportunities
23.4 MUSICBED
23.4.1 Business Overview
23.4.2 Product Offerings
23.4.3 Key Strategies
23.4.4 Key Strengths
23.4.5 Key Opportunities
23.5 SHUTTERSTOCK
23.5.1 Business Overview
23.5.2 Product Offerings
23.5.3 Key Strategies
23.5.4 Key Strengths
23.5.5 Key Opportunities
24 OTHER PROMINENT VENDORS
24.1 TRIBE OF NOISE
24.1.1 Business Overview
24.1.2 Product Offerings
24.2 MEDIA MUSIC NOW
24.2.1 Business Overview
24.2.2 Product Offerings
24.3 SOUNDCLOUD
24.3.1 Business Overview
24.3.2 Product Offerings
24.4 123RF
24.4.1 Business Overview
24.4.2 Product Offerings
24.5 ARTLIST
24.5.1 Business Overview
24.5.2 Product Offerings
24.6 AUDIOSOCKET
24.6.1 Business Overview
24.6.2 Product Offerings
24.7 BENSOUND
24.7.1 Business Overview
24.7.2 Product Offerings
24.8 DREAMSTIME
24.8.1 Business Overview
24.8.2 Product Offerings
24.9 FYRFLY
24.9.1 Business Overview
24.9.2 Product Offerings
24.1 JAMENDO
24.10.1 Business Overview
24.10.2 Product Offerings
24.11 MOTION ARRAY
24.11.1 Business Overview
24.11.2 Product Offerings
24.12 MUSIC VINE
24.12.1 Business Overview
24.12.2 Product Offerings
24.13 VIDEVO
24.13.1 Business Overview
24.13.2 Product Offerings
24.14 STORYBLOCKS
24.14.1 Business Overview
24.14.2 Product Offerings
24.15 SOUNDSNAP
24.15.1 Business Overview
24.15.2 Product Offerings
24.16 EARMOTION AUDIO CREATION
24.16.1 Business Overview
24.16.2 Product Offerings
24.17 EPIDEMIC SOUND
24.17.1 Business Overview
24.17.2 Product Offerings
24.18 POND5
24.18.1 Business Overview
24.18.2 Product Offerings
24.19 MUSICREVOLUTION
24.19.1 Business Overview
24.19.2 Product Offerings
24.2 MARMOSET
24.20.1 Business Overview
24.20.2 Product Offerings
24.21 SOUNDSTRIPE
24.21.1 Business Overview
24.21.2 Product Offerings
24.22 NEOSOUNDS
24.22.1 Business Overview
24.22.2 Product Offerings
24.23 THE MUSIC CASE
24.23.1 Business Overview
24.23.2 Product Offerings
25 REPORT SUMMARY
25.1 KEY TAKEAWAYS
25.2 STRATEGIC RECOMMENDATIONS
26 QUANTITATIVE SUMMARY
26.1 MARKET BY GEOGRAPHY
26.2 NORTH AMERICA
26.2.1 Product
26.2.2 End-User
26.2.3 License
26.3 APAC
26.3.1 Product
26.3.2 End-User
26.3.3 License
26.4 EUROPE
26.4.1 Product
26.4.2 End-User
26.4.3 License
26.5 LATIN AMERICA
26.5.1 Product
26.5.2 End-User
26.5.3 License
26.6 MIDDLE EAST & AFRICA
26.6.1 Product
26.6.2 End-User
26.6.3 License
26.7 PRODUCT
26.7.1 Track
26.7.2 Sound Effect
26.8 END-USER
26.8.1 Large Businesses
26.8.2 SMEs
26.8.3 Individual Content Creators
26.9 LICENSE
26.9.1 Licensed
26.9.2 Royalty-Free
27 APPENDIX
27.1 ABBREVIATIONS
Exhibit 1 Segmentation of the Global Stock Music Market
Exhibit 2 Market Size Calculation Approach 2022
Exhibit 3 Global Stock Music Market 2023 & 2028 (million)
Exhibit 4 CAGR Comparison by Geography 2022–2028
Exhibit 5 Key Players in the Global Stock Music Market
Exhibit 6 Incremental Growth Analysis for Global Stock Music Market 2022 – 2028
Exhibit 7 Recorded Music by Segment 2021 (% share)
Exhibit 8 Impact of Simplifying Licensing
Exhibit 9 Impact of Increasing Intuitiveness of Filters
Exhibit 10 Impact of Growth of Platform Integrations
Exhibit 11 Impact of Rising Need for Authenticity
Exhibit 12 Impact of Immersive Sound Design Gaining Ground
Exhibit 13 Smart Speakers Statistics 2019 vs 2021
Exhibit 14 Impact of Rise of Independent Content Creators
Exhibit 15 Impact of the Podcast Renaissance
Exhibit 16 Impact of Audio-based User Experiences Gaining Traction
Exhibit 17 Impact of Growing Popularity of a Sound Design-first Approach
Exhibit 18 Impact of Growth of TV-Style Programming
Exhibit 19 Statistics for Social Media and Video-on-Demand 2023
Exhibit 20 Impact of Stories Without Sound
Exhibit 21 Silent Video Statistics 2022
Exhibit 22 Impact of Massive Profusion of Choice
Exhibit 23 Impact of Generic Music Sweeping the Market
Exhibit 24 Impact of Increasing Interest in Custom Music
Exhibit 25 Incremental Revenue Growth Analysis for Global Stock Music Market
Exhibit 26 Market Overview: Global Stock Music Market (Revenue)
Exhibit 27 Global Stock Music Market 2022–2028 ($ million)
Exhibit 28 Five Forces Analysis 2022
Exhibit 29 Incremental Growth by Product 2022 & 2028
Exhibit 30 Global Stock Music Market by Product: Overview
Exhibit 31 Global Stock Music Track Market 2022–2028 ($ million)
Exhibit 32 Global Stock Music Sound Effect Market 2022–2028 ($ million)
Exhibit 33 Incremental Growth by End-User 2022 & 2028
Exhibit 34 Global Stock Music Market by End-User: Overview
Exhibit 35 Global Large Businesses Stock Music Market 2022–2028 ($ million)
Exhibit 36 Global SMEs Stock Music Market 2022–2028 ($ million)
Exhibit 37 Global Individual Content Creators Stock Music Market 2022–2028 ($ million)
Exhibit 38 Incremental Growth by License 2022 & 2028
Exhibit 39 Global Stock Music Market by License: Overview
Exhibit 40 Global Licensed Stock Music Market 2022–2028 ($ million)
Exhibit 41 Global Royalty-Free Stock Music Market 2022–2028 ($ million)
Exhibit 42 Incremental Growth by Geography 2022 & 2028
Exhibit 43 Stock Music Market Share of Key Geographies 2022 (% revenue share)
Exhibit 44 North America Statistics by Application
Exhibit 45 Stock Music Market in North America 2022–2028 ($ million)
Exhibit 46 Incremental Growth in North America 2022 & 2028
Exhibit 47 Stock Music Market in the US 2022–2028 ($ million)
Exhibit 48 Stock Music Market in Canada 2022–2028 ($ million)
Exhibit 49 APAC Statistics by Application
Exhibit 50 APAC: Incremental Growth Analysis by Product 2022 to 2028
Exhibit 51 Stock Music Market in APAC 2022–2028 ($ million)
Exhibit 52 Incremental Growth in APAC 2022 & 2028
Exhibit 53 Stock Music Market in China 2022–2028 ($ million)
Exhibit 54 Stock Music Market in Japan 2022–2028 ($ million)
Exhibit 55 Stock Music Market in India 2022–2028 ($ million)
Exhibit 56 Stock Music Market in South Korea 2022–2028 ($ million)
Exhibit 57 Stock Music Market in Australia 2022–2028 ($ million)
Exhibit 58 Stock Music Market in Indonesia 2022–2028 ($ million)
Exhibit 59 Stock Music Market in the Philippines 2022–2028 ($ million)
Exhibit 60 Stock Music Market in Taiwan 2022–2028 ($ million)
Exhibit 61 Europe Statistics by Application
Exhibit 62 Europe: Incremental Growth Analysis by Product 2022 to 2028
Exhibit 63 Stock Music Market in Europe 2022–2028 ($ million)
Exhibit 64 Incremental Growth in Europe 2022 & 2028
Exhibit 65 Stock Music Market in the UK 2022–2028 ($ million)
Exhibit 66 Stock Music Market in Germany 2022–2028 ($ million)
Exhibit 67 Stock Music Market in France 2022–2028 ($ million)
Exhibit 68 Stock Music Market in Italy 2022–2028 ($ million)
Exhibit 69 Stock Music Market in Russia 2022–2028 ($ million)
Exhibit 70 Stock Music Market in Spain 2022–2028 ($ million)
Exhibit 71 Stock Music Market in Sweden 2022–2028 ($ million)
Exhibit 72 Stock Music Market in Switzerland 2022–2028 ($ million)
Exhibit 73 Latin America: Incremental Growth Analysis by Product 2022 to 2028
Exhibit 74 Stock Music Market in Latin America 2022–2028 ($ million)
Exhibit 75 Incremental Growth in Latin America 2022 & 2028
Exhibit 76 Stock Music Market in Brazil 2022–2028 ($ million)
Exhibit 77 Stock Music Market in Mexico 2022–2028 ($ million)
Exhibit 78 Stock Music Market in Argentina 2022–2028 ($ million)
Exhibit 79 Middle East & Africa: Incremental Growth Analysis by Product 2022 to 2028
Exhibit 80 Stock Music Market in the Middle East & Africa 2022–2028 ($ million)
Exhibit 81 Incremental Growth in the Middle East & Africa 2022 & 2028
Exhibit 82 Stock Music Market in the UAE 2022–2028 ($ million)
Exhibit 83 Stock Music Market in South Africa 2022–2028 ($ million)
Exhibit 84 Stock Music Market in Saudi Arabia 2022–2028 ($ million)
Exhibit 85 Competitive Factors for Vendors in the Stock Music Market
LIST OF TABLES
Table 1 Key Caveats
Table 2 Currency Conversion 2016−2022
Table 3 Global Stock Music Market by Product 2022−2028 ($ million)
Table 4 Global Stock Music Track Market by Geography 2022−2028 ($ million)
Table 5 Global Stock Music Sound Effect Market by Geography 2022−2028 ($ million)
Table 6 Global Stock Music Market by End-user 2022−2028 ($ million)
Table 7 Global Large Businesses Stock Music Market by Geography 2022−2028 ($ million)
Table 8 Global SMEs Stock Music Market by Geography 2022−2028 ($ million)
Table 9 Global Individual Content Creators Stock Music Market by Geography 2022−2028 ($ million)
Table 10 Global Stock Music Market by License 2022−2028 ($ million)
Table 11 Global Licensed Stock Music Market by Geography 2022−2028 ($ million)
Table 12 Global Royalty-Free Stock Music Market by Geography 2022−2028 ($ million)
Table 13 Global Stock Music Market by Geography 2022−2028 ($ million)
Table 14 North America Stock Music Market by Product 2022−2028 ($ million)
Table 15 North America Stock Music Market by End-User 2022−2028 ($ million)
Table 16 North America Stock Music Market by License 2022−2028 ($ million)
Table 17 APAC Stock Music Market by Product 2022−2028 ($ million)
Table 18 APAC Stock Music Market by End-User 2022−2028 ($ million)
Table 19 APAC Stock Music Market by License 2022−2028 ($ million)
Table 20 Europe Stock Music Market by Product 2022−2028 ($ million)
Table 21 Europe Stock Music Market by End-User 2022−2028 ($ million)
Table 22 Europe Stock Music Market by License 2022−2028 ($ million)
Table 23 Latin America Stock Music Market by Product 2022−2028 ($ million)
Table 24 Latin America Stock Music Market by End-User 2022−2028 ($ million)
Table 25 Latin America Stock Music Market by License 2022−2028 ($ million)
Table 26 Middle East & Africa Stock Music Market by Product 2022−2028 ($ million)
Table 27 Middle East & Africa Stock Music Market by End-User 2022−2028 ($ million)
Table 28 Middle East & Africa Stock Music Market by License 2022−2028 ($ million)
Table 29 Envato: Major Product Offerings
Table 30 Entertainment One: Major Product Offerings
Table 31 Getty Images: Major Product Offerings
Table 32 Musicbed: Major Product Offerings
Table 33 Shutterstock: Major Product Offerings
Table 34 Tribe of Noise: Major Product Offerings
Table 35 Media Music Now: Major Product Offerings
Table 36 SoundCloud: Major Product Offerings
Table 37 123RF: Major Product Offerings
Table 38 Artlist: Major Product Offerings
Table 39 Audiosocket: Major Product Offerings
Table 40 Bensound: Major Product Offerings
Table 41 Dreamstime: Major Product Offerings
Table 42 FyrFly: Major Product Offerings
Table 43 Jamendo: Major Product Offerings
Table 44 Motion Array: Major Product Offerings
Table 45 Music Vine: Major Product Offerings
Table 46 Videvo: Major Product Offerings
Table 47 Storyblocks: Major Product Offerings
Table 48 Soundsnap: Major Product Offerings
Table 49 Earmotion: Major Product Offerings
Table 50 Epidemic Sound: Major Product Offerings
Table 51 Pond5: Major Product Offerings
Table 52 MusicRevolution: Major Product Offerings
Table 53 Marmoset: Major Product Offerings
Table 54 Soundstripe: Major Product Offerings
Table 55 Neosounds: Major Product Offerings
Table 56 The Music Case: Major Product Offerings
Table 57 Global Stock Music Market by Geography 2022−2028 ($ million)
Table 58 North America Stock Music Market by Product 2022−2028 ($ million)
Table 59 North America Stock Music Market by End-User 2022−2028 ($ million)
Table 60 North America Stock Music Market by License 2022−2028 ($ million)
Table 61 APAC Stock Music Market by Product 2022−2028 ($ million)
Table 62 APAC Stock Music Market by End-User 2022−2028 ($ million)
Table 63 APAC Stock Music Market by License 2022−2028 ($ million)
Table 64 Europe Stock Music Market by Product 2022−2028 ($ million)
Table 65 Europe Stock Music Market by End-User 2022−2028 ($ million)
Table 66 Europe Stock Music Market by License 2022−2028 ($ million)
Table 67 Latin America Stock Music Market by Product 2022−2028 ($ million)
Table 68 Latin America Stock Music Market by End-User 2022−2028 ($ million)
Table 69 Latin America Stock Music Market by License 2022−2028 ($ million)
Table 70 Middle East & Africa Stock Music Market by Product 2022−2028 ($ million)
Table 71 Middle East & Africa Stock Music Market by End-User 2022−2028 ($ million)
Table 72 Middle East & Africa Stock Music Market by License 2022−2028 ($ million)
Table 73 Global Stock Music Market by Product 2022−2028 ($ million)
Table 74 Global Stock Music Track Market by Geography 2022−2028 ($ million)
Table 75 Global Stock Music Sound Effect Market by Geography 2022−2028 ($ million)
Table 76 Global Stock Music Market by End-User 2022−2028 ($ million)
Table 77 Global Large Businesses Stock Music Market by Geography 2022−2028 ($ million)
Table 78 Global SME Stock Music Market by Geography 2022−2028 ($ million)
Table 79 Global Individual Content Creators Stock Music Market by Geography 2022−2028 ($ million)
Table 80 Global Stock Music Market by License 2022−2028 ($ million)
Table 81 Global Licensed Stock Music Market by Geography 2022−2028 ($ million)
Table 82 Global Royalty-Free Stock Music Market by Geography 2022−2028 ($ million)
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"The report by Arizton was spot on. It not only gave us insight into the pro audio market, we used it to raise funds for our company. The data proved (to the VC we pitched to) that the market was large enough for our company to not only survive but also grow."
